Film Editing Schools

As important affiliates of a film staff, in film editing schools are highly competent technicians who, through editing, are accountable for the quality and unique technical elements of a soundtrack, film, or video. They work with agencies or production firms in the film, cable, and broadcast television sectors. Usually, any one scene is shot many times and from various perspectives. The editor is the one accountable for making something out of the raw footage by combining and sequencing each picture. Before an Editor can begin their work, however, they: examine the script, learn the story line, team up with directors and producers, understand the scenes that the director determines to be the most critical, learn the producer's movie goals.

Possessing a full grasp of all the expectations allows the editor to do his or her well because he or she knows what the filmmakers' are anticipating. Today, most television and film editing schools use computer systems, computer software, and non-linear digital editing systems (enables random/direct entry to any frame in a video clip) to perform their job. The existence of modern technology enables the editor to be versatile in making edits and come up with results that are consistent, convincing, and impressive. The technology does have its own set of advantages, but there are still editors who favor to edit scenes the old fashion way like cutting and videotaping films and then reassmebling them; an editor may ask somebody to do this while he or she supervises.

Utilizing an editing equipment, the editor can add lines, music, sound effects, special effects to clips while working with professionals in these facets. To reach the final approval edits have to be completed and modifications have to be made. Those editors who focuses on a certain aspect of motion picture or television can edit music, advertisements, videos, and documentaries. Others may focus in making official movie sountracks or larger projects like a feature-length movies. Editors normally have a 40-hour work week but they can work on odd hours especially when they are trying to beat a deadline thus extending their work hours to 60 hours per week. Any overtime work is typically paid at time-and-a-half, or double-time. Furthermore, Editors generally receive up to four times their per hour rate for work performed over 12 consecutive hours on holidays and saturdays and sundays.

It is not unusual for an Editor to be without work between projects. Editors always do the job inside in projection rooms, cutting rooms, and shooting stages, and even film editing schools all of which are well lit and ventilated. Even though there are times when the work alongside others and share the same work area, editors usually work alone while collaborating with the directors and producers at the same time. While July through February is peak-hiring season for the television industry, there is no peak-hiring season in the motion picture industry. Work in this industry varies significantly due to weather conditions, release dates, and actor commitments. Educational and industrial film Editors generally don't experience fluctuations in hiring.